Grade 9 PVA chapter 3

Welcome to your Grade 9 PVA chapter 3

After carefully reading the following 30 questions, choose the correct answer.

1. 
In singing, what is considered the most important part of the performance?

2. 
How should "Technique practice" be conducted compared to "Performance practice"?

3. 
What is the focus during "Performance practice" for a singer?

4. 
Which vocal register is naturally found when children are surprised and gasp?

5. 
What is the easiest way to find your "Head Voice"?

6. 
How can a singer find their "Opera Voice" according to the textbook?

7. 
Which singer is mentioned as a reference for hearing a lot of "Head Voice"?

8. 
What is "Improvisation" in the context of Dance composition?

9. 
How many phases are involved in the possible way of composing choreography?

10. 
What is a "One Act Play"?

11. 
What defines a "Scene" in a play?

12. 
In screenwriting, what does "O.S." stand for?

13. 
What should you do with a scene in your script that doesn't advance the story?

14. 
Which software is suggested for writing a professional script if you have a laptop?

15. 
What is the purpose of the "Second draft" in screenwriting?

16. 
In the script sample, what does "FADE OUT" indicate?

17. 
What is the first step in "Breathing Mastery" for singing?

18. 
During a "Surprised Gasp" practice, what should you do with your stomach when breathing out?

19. 
Which of the following is part of the vocal organ?

20. 
What is the recommended state of mind during "Performance Practice"?

21. 
In dance composition, what does "Gathering together movement material" represent?

22. 
Why should you use a recording to evaluate your dance sequence?

23. 
What are "Parentheticals" in a script?

24. 
According to the text, a "Unit of time, place, and action" defines what?

25. 
What is the "Chest Voice" associated with in singing practice?

26. 
Which artist is associated with the "Opera Voice" yawn technique?

27. 
What is "Vowel Modification" in singing?

28. 
What does a "Scene" change usually indicate in a play?

29. 
Which technique is BEST practiced on separate days from performance?

30. 
What is the "Act" in a play's structure?

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